High Jewellery Jewellery Stories

The Airlie Tiara: A Royal Heirloom with a Century of Service

A tiara that has graced the heads of two Ladies of the Bedchamber across more than a century, the Airlie Tiara combines Victorian craftsmanship, natural pearls, and 30 carats of diamonds with a unique history of service at the British court. It now comes to auction at Lyon & Turnbull with an estimate of £50,000–£70,000.

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When a tiara comes directly from Buckingham Palace, it carries with it not just brilliance, but history. Such is the case of the Airlie Tiara, a Victorian jewel set with natural saltwater pearls and more than 30 carats of diamonds, now preparing to make its debut at auction with Lyon & Turnbull in London on 22 October.

The Airlie Tiara: A late 19th century pearl and diamond tiara
The Airlie Tiara: A late 19th century pearl and diamond tiara.
Set throughout with cushion-shaped, old brilliant and rose-cut diamonds, the pierced tapered form decorated with daisies, each centrally featuring a 5.1-9.4mm pearl, with cushion-shaped diamond ivy leaves, adorned by alternating 4.0-8.0mm pearls and clovers across the crest, coming to a central apex with a 9.6mm natural pearl, cushion-shaped and old brilliant-cut diamonds approx. 34.75 carats total, inner diameter 15.4cm, cased by R&S Garrard & Co., 25 Haymarket, London.

Accompanied by a report from The Gem & Pearl Laboratory stating that the two principal pearls are both natural, saltwater. Report number 25930, dated 13th May 2025. Remaining pearls untested.

Estimated between £50,000 and £70,000, the tiara is as much a record of royal service as it is a piece of jewellery.

A Jewel Born of Tiara Traditions

By the nineteenth century, the tiara had firmly secured its place in European court life. In Britain, this tradition was especially strong: the future Edward VII, then Prince of Wales, insisted that women appear at court wearing tiaras without exception.

Embed from Getty Images

The coronations of Edward VII in 1901 and George V in 1910 fuelled further demand, coinciding with a stylistic shift from silver and gold mounts to the platinum settings that would dominate the early twentieth century.

The Airlie Tiara, believed to have been made by Garrard, the Crown Jewellers, towards the end of the nineteenth century, belongs precisely to this moment. Its frame is adorned with daisies and ivy, interspersed with pearls — motifs that hint at its intimate symbolism.

The Airlie Tiara
The Airlie Tiara

In the language of flowers, daisies represent innocence, purity, and loyal love, while ivy has long been considered “an aid to love.” Such details suggest that the tiara may have been a bridal gift, aligning with the English tradition that a woman’s wedding day marked her first official occasion to wear a tiara.

The Airlie Tiara
The Airlie Tiara

A “Working Tiara” of the Court

The tiara’s destiny, however, extended far beyond the bridal chamber. In 1901, Mabell, Countess of Airlie, wore it when she was appointed Lady of the Bedchamber to the Princess of Wales, later Queen Mary. From that moment, the tiara became a jewel of duty, accompanying its wearer into the very heart of court life.

Mabell Frances Elizabeth (née Gore), Countess of Airlie
by Walter Stoneman
bromide print, 22 November 1932
NPG x163449
© National Portrait Gallery, London
Mabell Frances Elizabeth (née Gore), Countess of Airlie by Walter Stoneman bromide print, 22 November 1932 NPG x163449 © National Portrait Gallery, London

Lyon & Turnbull’s Head of Jewellery, Sarah Duncan, has described it as a rare “working tiara” — not locked away in a vault, but worn with striking regularity at official events.

The Coutess of Airlie wearing the Airlie tiara at a State Opening of Parliament.

State Openings of Parliament, overseas visits, banquets at Buckingham Palace, and receptions at Windsor Castle all saw the tiara in use. Unlike many historic diadems reserved for grand occasions, the Airlie Tiara was a constant presence, a discreet witness to decades of royal history.

The Countess of Airlie, wearing the Airlie tiara and her multi-strand pearl choker necklace.
A multi-strand pearl choker, with a mid 19th century diamond clasp - From Collection of Virginia Fortune Ryan Ogilvy.
A multi-strand pearl choker, with a mid 19th century diamond clasp – From Collection of Virginia Fortune Ryan Ogilvy.

An American Countess at the Heart of the Monarchy

This history found a new chapter with Virginia Fortune Ryan Ogilvy, Dowager Countess of Airlie, the first American-born Lady of the Bedchamber to a British monarch, who passed away in August 2024 at the age of 91.

Virginia Ogilvy, Countess of Airle – Image Courtesy of the Family.

Born in New York in 1933, Virginia was the granddaughter of financier and arts patron Otto Kahn. At 16, during a London visit, she met David Ogilvy, the future 13th Earl of Airlie, at a dance at the Savoy. Three years later, they were married at St Margaret’s, Westminster, in a ceremony attended by Queen Elizabeth the Queen Mother and Princess Margaret.

In 1973, as a mother of six, Lady Airlie joined Queen Elizabeth II’s household as Lady of the Bedchamber, a role she fulfilled with devotion and discretion for nearly five decades, until the Queen’s death in 2022. The tiara, which she wore frequently in her duties, thus bridged two reigns and two generations of Airlie women serving as confidantes to the Crown.

The Autumn of Airlie

The tiara now comes to auction as part of Lyon & Turnbull’s “Autumn of Airlie”, a season dedicated to treasures from the estate of the late Countess. Alongside the tiara, collectors will encounter a glittering panorama of Lady Airlie’s personal jewels and objets d’art: a unicorn brooch by Verdura symbolising Scotland, exquisite pieces by Cartier, Van Cleef & Arpels, and Fabergé, and objects of vertu that reflect her refined taste.

Verdura. A diamond unicorn brooch from the Collection of Virginia Fortune Ryan Ogilvy, Dowager Countess of Airlie. The head of the unicorn carved of bone, issuing forth from a circular cabochon turquoise crown, with a pear-shaped diamond fringe, the horn set with brilliant-cut diamonds and a similarly-cut diamond flower grasped in the mouth, diamonds approx. 1.10 carats total, signed Verdura, length 4.2cm.
Fabergé. A nephrite and ruby letter opener, circa 1900. From the Collection of Virginia Fortune Ryan Ogilvy, Dowager Countess of Airlie.
Fabergé. A nephrite and ruby letter opener, circa 1900. From the Collection of Virginia Fortune Ryan Ogilvy, Dowager Countess of Airlie.

Within this context, the tiara emerges as the crowning jewel of the collection — not only for its craftsmanship and gemstones, but for its extraordinary provenance. It represents a continuity of service to the Crown, and a rare chance for collectors to acquire a jewel that was part of both personal and national history.

As Sarah Duncan notes:

“Historic tiaras of this provenance are rare to appear on the market and coupled with its noble history and associations with the late Queen Elizabeth II, it makes this an incredibly rare and desirable acquisition.”

With its pearls, diamonds, and more than a century of royal associations, the Airlie Tiara is more than jewellery — it is living history, worn by women whose lives intertwined with the Crown itself.


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