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When a tiara comes directly from Buckingham Palace, it carries with it not just brilliance, but history. Such is the case of the Airlie Tiara, a Victorian jewel set with natural saltwater pearls and more than 30 carats of diamonds, now preparing to make its debut at auction with Lyon & Turnbull in London on 22 October.

Set throughout with cushion-shaped, old brilliant and rose-cut diamonds, the pierced tapered form decorated with daisies, each centrally featuring a 5.1-9.4mm pearl, with cushion-shaped diamond ivy leaves, adorned by alternating 4.0-8.0mm pearls and clovers across the crest, coming to a central apex with a 9.6mm natural pearl, cushion-shaped and old brilliant-cut diamonds approx. 34.75 carats total, inner diameter 15.4cm, cased by R&S Garrard & Co., 25 Haymarket, London.
Accompanied by a report from The Gem & Pearl Laboratory stating that the two principal pearls are both natural, saltwater. Report number 25930, dated 13th May 2025. Remaining pearls untested.
Estimated between £50,000 and £70,000, the tiara is as much a record of royal service as it is a piece of jewellery.
A Jewel Born of Tiara Traditions
By the nineteenth century, the tiara had firmly secured its place in European court life. In Britain, this tradition was especially strong: the future Edward VII, then Prince of Wales, insisted that women appear at court wearing tiaras without exception.
Embed from Getty ImagesThe coronations of Edward VII in 1901 and George V in 1910 fuelled further demand, coinciding with a stylistic shift from silver and gold mounts to the platinum settings that would dominate the early twentieth century.
The Airlie Tiara, believed to have been made by Garrard, the Crown Jewellers, towards the end of the nineteenth century, belongs precisely to this moment. Its frame is adorned with daisies and ivy, interspersed with pearls — motifs that hint at its intimate symbolism.

In the language of flowers, daisies represent innocence, purity, and loyal love, while ivy has long been considered “an aid to love.” Such details suggest that the tiara may have been a bridal gift, aligning with the English tradition that a woman’s wedding day marked her first official occasion to wear a tiara.

A “Working Tiara” of the Court
The tiara’s destiny, however, extended far beyond the bridal chamber. In 1901, Mabell, Countess of Airlie, wore it when she was appointed Lady of the Bedchamber to the Princess of Wales, later Queen Mary. From that moment, the tiara became a jewel of duty, accompanying its wearer into the very heart of court life.

Lyon & Turnbull’s Head of Jewellery, Sarah Duncan, has described it as a rare “working tiara” — not locked away in a vault, but worn with striking regularity at official events.

State Openings of Parliament, overseas visits, banquets at Buckingham Palace, and receptions at Windsor Castle all saw the tiara in use. Unlike many historic diadems reserved for grand occasions, the Airlie Tiara was a constant presence, a discreet witness to decades of royal history.


An American Countess at the Heart of the Monarchy
This history found a new chapter with Virginia Fortune Ryan Ogilvy, Dowager Countess of Airlie, the first American-born Lady of the Bedchamber to a British monarch, who passed away in August 2024 at the age of 91.

Born in New York in 1933, Virginia was the granddaughter of financier and arts patron Otto Kahn. At 16, during a London visit, she met David Ogilvy, the future 13th Earl of Airlie, at a dance at the Savoy. Three years later, they were married at St Margaret’s, Westminster, in a ceremony attended by Queen Elizabeth the Queen Mother and Princess Margaret.
In 1973, as a mother of six, Lady Airlie joined Queen Elizabeth II’s household as Lady of the Bedchamber, a role she fulfilled with devotion and discretion for nearly five decades, until the Queen’s death in 2022. The tiara, which she wore frequently in her duties, thus bridged two reigns and two generations of Airlie women serving as confidantes to the Crown.
The Autumn of Airlie
The tiara now comes to auction as part of Lyon & Turnbull’s “Autumn of Airlie”, a season dedicated to treasures from the estate of the late Countess. Alongside the tiara, collectors will encounter a glittering panorama of Lady Airlie’s personal jewels and objets d’art: a unicorn brooch by Verdura symbolising Scotland, exquisite pieces by Cartier, Van Cleef & Arpels, and Fabergé, and objects of vertu that reflect her refined taste.


Within this context, the tiara emerges as the crowning jewel of the collection — not only for its craftsmanship and gemstones, but for its extraordinary provenance. It represents a continuity of service to the Crown, and a rare chance for collectors to acquire a jewel that was part of both personal and national history.
As Sarah Duncan notes:
“Historic tiaras of this provenance are rare to appear on the market and coupled with its noble history and associations with the late Queen Elizabeth II, it makes this an incredibly rare and desirable acquisition.”
With its pearls, diamonds, and more than a century of royal associations, the Airlie Tiara is more than jewellery — it is living history, worn by women whose lives intertwined with the Crown itself.
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